Soundtrack Agreement

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(e) Without restricting the universality of the above, Composer heresfreely acknowledges that the company has the right to synchronize, perform and use the work in the image soundtrack, and uses image by-products, including, but not limited, to trailers, promotions and co-promotions, and advertising for any of the above products, and in this context, the parties recognize and agree that the company has the permanent right to use the factory in or related to the image in all media, including, but not only, theatrale, subscription, satellite, pay/cable and free TV, audiovisual (including, but not limited to video cassettes and discs), trailer, advertising and advertising therefore, all computer support , including, but not limited to CD-ROMs, CD I and similar systems, interactive cables and in all other applications connected to any new technology and support, whether they are now known or developed later. Subject to the conditions set out in this agreement, all rights to the work are the property of Composer. This is much better than the first chord in which the composer agrees to constantly change the music at the producer`s request, without limiting the number of changes the producer can require. (i) all recording costs incurred by the producer and/or record company for the production of the soundtrack to the image; the soundtrack album and any other fees that the record company charges to the producer or producer against the composer for breach of obligations and representation of Composer under this agreement or under the terms of the contract to which the “B” statement is attached (this right is without waiving a right or recourse from the producer) (all of the above costs are called “reintroduction fees” above) must be recovered by the composer`s licence. The independent filmmaker/producer/investor wishes to use the services of an artist`s singing and/or music services as part of a project. Artist services are required to do a Master Sound Recording, owned by the independent producer/producer/investor, which can be used on the project soundtrack and in a soundtrack CD. Please indicate your consent and acceptance of the above by signing the attached copy of this Agreement, subject to the indication below. (d) This agreement is governed by the laws of the State of New York and is interpreted accordingly for contracts that have been entered into and are fully executed there. All disputes, actions or proceedings arising from or related to this agreement are opened in a competent court (state or federal) in New York. When negotiating such agreements, it is important to get advice from people experienced in the nature of these agreements and it is strongly advised to ensure that the artist is also advised. (Be aware – unless you offer the artist a reasonable amount of money, you may be asked to cover your legal costs and yours. This means that two negotiating groups must be paid).

Ok, now let`s talk about getting permission. From a legal point of view, the authorization is called a licence. The terms are almost interchangeable in the sense, but when we talk about the actual legal agreement, we will use the term “licence.” Instead of an “authorization agreement,” we use the term “licensing agreement,” or abbreviated “license.”

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